Building One Brick at a Time
Building One Brick at a Time In Chinese there is an old saying: “When the eggs are not ready to hatch, do not crack the
Mogao Cave 275, King Sibi Jātaka.
King Sibi was the ruler of the Sibi Kingdom in ancient India. As a devout Buddhist, he pledged to save all sentient beings from suffering. In order to test him, Indra and his minister Viśvakarman transformed themselves into a hawk and a dove. The hawk chased after the dove trying to eat it. The dove then sought refuge in King Sibi. However, the hawk begged the king to let him eat the dove otherwise he would die of starvation. In order to save the dove as well as the hawk, King Sibi decided to offer his own flesh to feed the hawk.
The hawk accepted the offer with the condition that the amount of flesh he received from the king be equal to that of the dove. King Sibi promised and let a butcher cut out his flesh, which was placed on one side of the scale while the dove was placed on the other side. However, after cutting out nearly all his flesh, the scale still showed that the dove was heavier. Then King Sibi sat on the scale to indicate that he was offering his entire self. Moved by King Sibi’s virtuous deed, Indra finally restored his flesh. (Mogao Caves, Dunhuang, China.)
(Originally published at https://www.heritagemuseum.gov.hk/en_US/web/hm/exhibitions/data/exid218/exhibit_1.html#/nogo)
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Murals in the Mogao Caves (Cave 254), King Sibi Jātaka
On the north wall of the Mogao Cave 254 are scenes of the preaching Buddha, together with Nanda (his younger brother) Entering Monastic Life, and King Sibi Jātaka. The King Sibi Jātaka panel illustrates one of the most popular themes in the early caves. In it, the king offers his flesh, including his whole body, to save a dove’s life from a hawk.
The outsized figure of the king sits in a lalita pose, turns to one side in a three-quarter view, and is flanked by rows of figures in the assembly. On his right, each of the sad-looking court ladies has a different appearance. One of them is embracing the king’s knee and begging him not to cut his flesh. The artists skillfully narrated the rich content in a single picture. The costumes of figures and the painting style of the murals in this cave are strongly influenced by the art of Central Asia.
(Originally published at http://en.dhmusem.yufu.in/news/read/cid/109/id/119.html)
Cave 254 Panorama: https://www.e-dunhuang.com/cave/10.0001/0001.0001.0254
Mogao Cave 254, King Sibi Jātaka
On the north wall of the Mogao Cave 254 are scenes of the preaching Buddha, together with Nanda (his younger brother) Entering Monastic Life, and King Sibi Jātaka. The King Sibi Jātaka panel illustrates one of the most popular themes in the early caves. In it, the king offers his flesh, including his whole body, to save a dove’s life from a hawk.
The outsized figure of the king sits in a lalita pose, turns to one side in a three-quarter view, and is flanked by rows of figures in the assembly. On his right, each of the sad-looking court ladies has a different appearance. One of them is embracing the king’s knee and begging him not to cut his flesh. The artists skillfully narrated the rich content in a single picture. The costumes of figures and the painting style of the murals in this cave are strongly influenced by the art of Central Asia. (Mogao Caves, Dunhuang, China.)
(Originally published at http://en.dhmusem.yufu.in/news/read/cid/109/id/119.html)
Cave 254 Panorama: https://www.e-dunhuang.com/cave/10.0001/0001.0001.0254